Published Dec 27th 2008
Volume 14, 2008
(click title to read)
Contents
1.Double Trouble: Editorial - Tessa Dwyer & Mehmet Mehmet
2.The Mosaic-Screen: Exploration and Definition – Sergio Dias Branco
3.Sound and Space in the Split-Screen Movie – Ian Garwood
4.The Embedded Screen and the State of Exception: Counterterrorist Narratives and the “War on Terror” – Cormac Deane
5.“What Am I… Beloved or Bewitched?” Split Screens, Gender Confusion, and Psychiatric Solutions in The Dark Mirror – Tim Snelson
6.Medusa in the Mirror: The Split World of Brian De Palma’s Carrie – David Greven
7.The Double Side of Delay: Sutapa Biswas’ film installation Birdsong and Gilles Deleuze’s Actual/Virtual Couplet – Maria Walsh
8.Missed Encounters: Film Theory and Expanded Cinema – Bruno Lessard
9.Four Cameras are Better than One: Division as Excess in Mike Figgis’ Timecode – Nadia Bozak
10.The Aesthetics of Displays: How the Split Screen Remediates Other Media – Malte Hagener
11.Double Take: Rotoscoping and the Processing of Performance – Kim Louise Walden
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(PDF) Encouraging Witting Participation and Performance in Digital Live Art | © Jennifer G. Sheridan, Nick Bryan-Kinns, Alice Bayliss, 2007 Published by the British Computer Society People and Computers XXI – HCI… but not as we know it: Proceedings of HCI 2007 Linden J. Ball, M. Angela Sasse, Corina Sas, Thomas C. Ormerod, Alan Dix, Peter Bagnall, and Tom McEwan (Editors) | "We describe a framework for characterizing people’s behavior with Digital Live Art. Our framework considers people’s wittingness, technical skill, and interpretive abilities in relation to the performance frame. Three key categories of behavior with respect to the performance frame are proposed: performing, participating, and spectating. We exemplify the use of our framework by characterizing people’s interaction with a DLA - iPoi. This DLA is based on the ancient Maori art form of poi and employs a wireless, peer-to-peer exertion interface. The design goal of iPoi is to draw people into the performance frame and support transitions from audience to participant and on to performer. We reflect on iPoi in a public performance and outline its key design features."