Showing posts with label REC. Show all posts
Showing posts with label REC. Show all posts

Graphic Novel: DMZ


Wood, Brian and Riccardo Burchielli. DMZ: On the Ground. New York: DC Comics, 2006. Riccardo Buchielli and Brian Wood, artists; Jeromy Cox,colorist; Jared K. Fletcher, letterer. (PN6728 .D563 W66x 2006

This saturday I found the first 5 volumes (collected editions) of the DMZ graphic novel in a bookstore in Braga, Portugal. The series started in 2006 and is currently at 6 collected editions, the 7th will come out September this year.

The central character for the story, Matty, is a photographer and journalist. The series follows is life on a war zone that sits between the 2 armies that are fighting a civil war in the USA of today.

Manhattan is supposedly a demilitarized zone,the area that separates the US Army and the "Free States". Inside the city there is a lot going on and the reader gets to see it through the eyes of this reporter. Nothing is what it seems...

You can check the volumes at the Vertigo website and even download an excerpt:
Excerpt

Dust to Dust | FLYP



Library of Dust 387 - image from the artist website


David Meisel calls himself a photo-archeo-archivist. He recently photographed an insane asylum, the one that served as set for the Milo Forman's movie "One Flew Over the Cuckoo´s Nest (1975). Until the 1970´s the unclaimed remains of people who died there were placed inside copper canisters. Leah Ollman wrote in the Los Angeles Times that ..."each canister is a formal, ethical and mineralogical Rorshach."
The prints are of the size of the human body, "a mineralogical portrait of the human whitin".

Full article: Flyp
Artist Site: David Meisel

The objectuals



WHAT’S UP DOC?:
LEE HYUNGKOO AND THE ORIGIN OF THE SPECIES
Howard Rutkowski

Check the "animatus" tab.
(original link via Boing Boing)

Saudade

Uma série de fotos de Margarida Correia, artista portuguesa.
http://margaridacorreia.com/saudade.php

Double Trouble - Special Issue on Split and Double Screens

Published Dec 27th 2008
Volume 14, 2008

(click title to read)

Contents

1.Double Trouble: Editorial - Tessa Dwyer & Mehmet Mehmet
2.The Mosaic-Screen: Exploration and Definition – Sergio Dias Branco
3.Sound and Space in the Split-Screen Movie – Ian Garwood
4.The Embedded Screen and the State of Exception: Counterterrorist Narratives and the “War on Terror” – Cormac Deane
5.“What Am I… Beloved or Bewitched?” Split Screens, Gender Confusion, and Psychiatric Solutions in The Dark Mirror – Tim Snelson
6.Medusa in the Mirror: The Split World of Brian De Palma’s Carrie – David Greven
7.The Double Side of Delay: Sutapa Biswas’ film installation Birdsong and Gilles Deleuze’s Actual/Virtual Couplet – Maria Walsh
8.Missed Encounters: Film Theory and Expanded Cinema – Bruno Lessard
9.Four Cameras are Better than One: Division as Excess in Mike Figgis’ Timecode – Nadia Bozak
10.The Aesthetics of Displays: How the Split Screen Remediates Other Media – Malte Hagener
11.Double Take: Rotoscoping and the Processing of Performance – Kim Louise Walden

Rapid Prototype Your Life


(click title to access index, video link for Bre Pettis is at the end of this entry)

"The time is now to make anything you can imagine.

The tools are at hand to free you from the bonds of consumer slavery. No longer must you rely on distant and faceless factories or bow down before the false idols of mass produced consumer manufactured items. Never again look into the aisles of oblivion filled with mass produced products. Take rapid prototype manufacturing into your life and return to a time before corporations robbed you of our individualism. A cottage industry paradise awaits those with the digital skills and the means to acquire or build the machines that can actualize the items that exist now only in your imagination.

Presenting research into the potential to replace all consumer products with personally designed and built items utilizing rapid prototyping manufacturing.

This talk will present an overview of the rapid prototype machines available and take the audience on a visual adventure into the beautiful world of rapid prototyping machinery with enough luscious graphic detail to make even the most die-hard luddite salivate with lust for the dream fulfilling technology.

Projects to get beginners started and initiated into the rapid prototype lifestyle and familiar with the principals and techniques of rapid prototyping will be shared and source code provided online. These projects will be shared to get you started with rapid prototype machinery and break the cycle of consumer desperation. Many pathways will be presented leading to a future of wonderful digitally sharable objects."

25th Chaos Communication Congress
Nothing to hide

Check out the following:
MY TALK AT 25C3 - RAPID PROTOTYPE YOUR LIFE
- Bre Pettis

Robert Kusmirowski





















"Robert Kusmirowski does copies, simulacra, forgeries, mock-ups. Meticulously and masterfully. The result of his craft is an illusion. You believe you're in front of a relic from the past, complete with patina: a sepia photography, old newspapers, cigarette packs, but also a graveyard, the wagon of a '40s train or an entire train station."...
READ: Machines from a past that never was

A painting is worth a thousand moving images

The moving image is no substitute for a great work of art - one takes time to watch, the other can take a lifetime to appreciate...

Photograph: Getty Images


I wish art galleries would stop turning themselves into TV lounges. The other day I visited H Box, a touring display space for video art that's been at Tate Modern this summer. H Box is a big H-shaped metal container with a snug black videotheque inside. You find a black foam seat, or stand, and watch a sequence of recent artists' videos. I was in it for about five minutes before I looked around at everyone else, settled in to watch these images as if we were sat in front of the television at home. And in a fit of nausea I had to get out....

- Jonathan Jones
guardian.co.uk, Monday 11 August 2008 12.23 BST

Letra de Forma

por de Augusto M. Seabra

NET.ART:

Notas para uma leitura da prática artística na contemporaneidade.
- Luis Silva



"Agatha Appears" - Olia Lialina

Agrippa

In 1992, William Gibson released "Agrippa (A Book of the Dead)", a haunting poem about loss and memory that came on a floppy disc that erased itself as you played it.

Source: original 1992 Agrippa 3.5″ diskette, 1.4 Mb, loaned by collector Allan Chasanoff.

Process: » Disk image (bit-level copy) made using the “dd” copy process. (See Item #D50 on this site:
downloadable disk-image file.) » Run of the disk-image copy on a computer using Mini vMac emulator with System 7 book disk (to emulate the functions of the original 1992 Mac platform for which the software on the diskette was created). » Video capture of the resulting run of the poem.

More info: Matthew G. Kirschenbaum, with Doug Reside and Alan Liu,
“No Round Trip: Two New Primary Sources for Agrippa.”

Andreas Nicholas Fischer



Poplar plywood, paint; 46 × 140 × 120 cm

"Indizes is a data sculpture visualizing the stock market indices S & P 500, Dow Jones Industrial and NASDAQ in the year 2008 from january to november. The values are shown on the three peaks of the five rows of polygons. The data was provided by Google Finance."

- From the artist website

READ 0309



Cosmos & History: Cosmos and History is a journal of natural and social philosophy. It serves those who see philosophy's vocation in questioning and challenging prevailing assumptions about ourselves and our place in the world, developing new ways of thinking about physical existence, life, humanity and society, so helping to create the future insofar as thought affects the issue.

Open Humanities Press is an international open access publishing collective in critical and cultural theory.

Open Humanities Press journals are fully peer reviewed, scholarly publications that have been chosen by OHP's editorial advisory board for their outstanding contribution to contemporary theory. OHP's journals are independent, published under open access licences and free of charge to readers and authors alike.


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CULTURE MACHINE
"The aim of Culture Machine is to seek out and promote the most provocative of new work and analyses in culture and theory from a diverse range of international authors. Culture Machine is particularly concerned to promote research which is engaged in the constitution of new areas of inquiry and the opening of new frontiers of cultural and theoretical activity. It is also committed to the generation of possibilities for new scholarship and research."

"Fast Capitalism is an academic journal with a political intent. We publish reviewed scholarship and essays about the impact of rapid information and communication technologies on self, society and culture in the 21st century. We are convinced that the best way to study an accelerated media culture and its various political economies and existential meanings is dialectically, with nuance, avoiding sheer condemnation and ebullient celebration. We seek to shape these new technologies and social structures in democratic ways."

FIBRECULTURE
"Fibreculture Journal is a peer-reviewed international journal that explores the issues and ideas of concern and interest to both the Fibreculture network and wider social formations. The journal encourages critical and speculative interventions in the debate and discussions concerning information and communication technologies and their policy frameworks, network cultures and their informational logic, new media forms and their deployment, and the possibilities of socio-technical invention and sustainability."

IMAGE AND NARRATIVE
Image [&] Narrative is a peer-reviewed e-journal devoted to visual narratology in the broadest sense of the term. In addition to tackling theoretical issues, the journal provides a platform for reviews of real-life examples. The languages of publication are French and English.

Image [&] Narrative est une revue scientifique à comité de lecture internationale publiant des travaux de narratologie de l'image au sens le plus large du terme. La revue publie non seulement des études théoriques, mais aussi des comptes rendus de pratiques en cours. Les langues de publication sont le français et l'anglais.

International Journal of Žižek Studies
"Slavoj Žižek is a Slovenian philosopher/cultural theorist and intellectual tour de force. Notwithstanding such caricatured media portrayals as “the Elvis of cultural theory” and the “Marx Brother”, Žižek has sustained enormous international scholarly interest with his inimitable application of otherwise esoteric works to contemporary mass culture and politics. Non-English language content is provided as an important part of IJŽS's aim to be a meaningfully international journal."

PARRHESIA
"Parrhesia is a journal that aims to gather a range of thinkers to examine the intersections between questions of subjectivity, politics, ethics, aesthetics and truth, intersections which both theoretically and practically form the critical points in our culture and in our time. As Walter Benjamin suggests it is these 'perilous critical moments' upon which the very act of reading, writing and thinking must be based."

POSTCOLONIAL TEXT
"Postcolonial Text is a refereed open access journal that publishes articles, book reviews, interviews, poetry and fiction on postcolonial, transnational, and indigenous themes. It fosters critical discussions about the culturally contested and transformative terrain of postcolonial literary studies. To remain critical of academically instituted forms of cultural and literary knowledge production, the journal is committed to a rigorous analysis of persisting imperial and uneven global relationships of power at the crossroads of class, gender, and race."

VECTORS
"Vectors is a new electronic journal that brings together visionary scholars with cutting-edge designers and technologists to propose a rethinking of the dynamic relation of form to content in academic research, focusing on ways technology shapes, transforms and reconfigures social and cultural relations."
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READ0309 Contents
Selected by hmBri.to


READ 0209



Everett Ruess - In November 1934, at the age of twenty, Everett disappeared from the canyon country near Escalante, Utah, and was never seen again. Although his burros were found near his camp, his fate remains a mystery.
http://everettruess.net/poetry.html

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GOTO10
Floss+Art

"FLOSS+Art critically reflects on the growing relationship between Free Software ideology, open content and digital art. It provides a view onto the social, political and economic myths and realities linked to this phenomenon.

With contributions from: Fabianne Balvedi, Florian Cramer, Sher Doruff, Nancy Mauro Flude, Olga Goriunova, Dave Griffiths, Ross Harley, Martin Howse, Shahee Ilyas, Ricardo Lafuente, Ivan Monroy Lopez, Thor Magnusson, Alex McLean, Rob Myers, Alejandra Maria Perez Nuñez, Eleonora Oreggia, oRx-qX, Julien Ottavi, Michael van Schaik, Femke Snelting, Pedro Soler, Hans Christoph Steiner, Prodromos Tsiavos, Simon Yuill

Compiled and edited by Aymeric Mansoux and Marloes de Valk"

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2 textos de Ernesto de Sousa
1 & 2

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READ0209 Contents
Selected by hmBri.to

READ 0109



Kim Addonizio · J. T. Barbarese · Allen Edwin Butt · Scott Cairns · W. S. Di Piero · Daisy Fried · Michael Hofmann · Langston Hughes · Clive James · Roddy Lumsden · Peter Munro · Arnold Rampersad · Fiona Sampson · Dan Stryk · Wendy Videlock · C. K. Williams · Anne Winters ·

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Mike Kelley (b. 1952)
Technological Interventions in Everyday Interactions

"A Dance Incorporating Movements Derived from Experiments by Harry F. Harlow and choreographed in the manner of Martha Graham 1999, 8:32 min, b&w, silent

Test Room Containing Multiple Stimuli Known to Elicit Curiosity and Manipulatory Responses documents Kelley's installation of the same name, in which visitors were invited to enter a caged area and interact with sculptural objects and "parental surrogate objects." Kelley creates a theatrical space, in which the ambiguity of the elements provides a backdrop for psychological projection.

With: Sonia Kazorov, Kristen Hernstein, Dion Derizzo, David Bicha, Anita Pace, Carl Burkley. Choreography: Anita Pace. Production Supervisor: Patti Podesta. Camera: Robert Elhardt, Greg Kucera (Dance), Lighting Assistant: Derth Adams. Editor: Greg Kucera. Crew: Catherine Sullivan, Cameron Jamie, Abram Boosinger, Joycelyn Shipley (Dance)."

-from UBU
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Alan Sokal
Transgressing the Boundaries: An Afterword
Sokal explains the concernes behind his hoax - the one in which a prestiged academic magazine published a computer generated paper.
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Alan Sondheim
Holocaust City
A short story.



READ 1208


READ 1208:


"This is a web version of Aspen, a multimedia magazine of the arts published by Phyllis Johnson from 1965 to 1971. Each issue came in a customized box filled with booklets, phonograph recordings, posters, postcards — one issue even included a spool of Super-8 movie film." It's all there.

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Technological Interventions in Everyday Interactions (PDF) Judith Donath, Oct 2008 Act/React, Milwaukee Art Museum
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Amadeo de Souza Cardoso (1887-1918) was born in Amarante (Portugal) in 1887 and lived between Portugal and Paris, establishing multiple relations with the European artistic milieu. A testimonial of his live and is relations with the most relevant European artists was preserved by his widow Lucie de Souza Cardoso and, in part, donated to Calouste Gulbenkian Foundation in 1987. See a colection of biographical photos.

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Priestley, Joseph, (1733-1804). Disquisitions relating to matter and spirit. From Disquisitions relating to matter and spirit, To which is added the history of the philosophical doctrine concerning the origin of the soul, and the nature of matter; with its influence on Christianity, especially with respect to the doctrine of the pre-ex. London: Printed for J. Johnson, 1777. In Edgar Fahs Smith Memorial Collection. B1383 .D5