Paulo Raposo & Joao Silva com convidado: Carlos Santos
Dear all,
we are happy to annouce that our project Book of Hours is now
published by Touch and available online.
read more and please listen at:
http://www.touchradio.org.uk/
Book of Hours
Paulo Raposo | João Silva
w/guest: Carlos Santos
TouchRadio mp3 series is a platform for recordings, live or otherwise,
from artists who are affiliated to or whose work appear on Touch,
available from touchradio.org.uk and via the TouchPod iTunes podcast.
http://www.touchradio.org.uk/
Book of Hours – 23:24 - 320 kpbs
http://www.touchradio.org.uk/touch_radio_39_paulo_raposo_joao_silva.html
Gravado em 12.12.08
Cúpula do Panteão Nacional, Lisboa
João Silva: taça de cristal
Paulo Raposo: espacialização, difusão multi-canal e processamento em
tempo real
Carlos Santos: copo e sino tibetano
"Book of Hours" foi gravado na excepcional cúpula central do Panteão
Nacional em Lisboa.
Os performers e a audiência encontram-se a 40 metros de altura numa
estreita varanda circular. A principal fonte sonora consiste numa taça
de cristal, tocada e ressoada por João Silva, com uma baqueta. Paulo
Raposo processa estes sons e difunde-os no espaço através de 6 canais,
4 dos quais em pequenas colunas, simetricamente colocadas na
circunferência da cúpula. Carlos Santos desloca-se pelo espaço e pela
audiência tocando um copo e um sino tibetano.
Estas interacções sónicas de "Book of Hours" procuram revelar as
qualidades acústicas inerentes do espaço, tornando-se este também um
elemento performativo indissociável.
Paulo Raposo
www.sirr-ecords.com/pauloraposo
www.sirr-ecords.com
João Silva
www.myspace.com/joaomsilva
Carlos Santos
www.myspace.com/carlosmsantos
READ 0809:
(PDF) Encouraging Witting Participation and Performance in Digital Live Art | © Jennifer G. Sheridan, Nick Bryan-Kinns, Alice Bayliss, 2007 Published by the British Computer Society People and Computers XXI – HCI… but not as we know it: Proceedings of HCI 2007 Linden J. Ball, M. Angela Sasse, Corina Sas, Thomas C. Ormerod, Alan Dix, Peter Bagnall, and Tom McEwan (Editors) | "We describe a framework for characterizing people’s behavior with Digital Live Art. Our framework considers people’s wittingness, technical skill, and interpretive abilities in relation to the performance frame. Three key categories of behavior with respect to the performance frame are proposed: performing, participating, and spectating. We exemplify the use of our framework by characterizing people’s interaction with a DLA - iPoi. This DLA is based on the ancient Maori art form of poi and employs a wireless, peer-to-peer exertion interface. The design goal of iPoi is to draw people into the performance frame and support transitions from audience to participant and on to performer. We reflect on iPoi in a public performance and outline its key design features."
