Armenian Center for Contemporary Experimental Art
7th INTERNATIONAL FILM FESTIVAL
ONE MINUTE - ONE SHOT
1. The film presented must be one minute long (60se. without titles).
2. The work must be shot in one frame. Shots cannot be cut, combined or
mixed into one.
3. Multiplication in animation (multi shots) is not against the rules as it
is a production technique. However direct editing/cuts in different scenes/
shots (close up - middle, etc) are not allowed.
4. The titles must be 10 seconds long and be placed at the beginning of the
one- minute film. Besides original language, English subtitles are required.
5. The author is free to express his/her ideas and views in any form and
genre.
-SHORT FILMS
1. Up to 40 minutes.
2. Without any limitations in form and genre.
-SPECIAL PROBLEM
-CINEMA WITHOUT LIMITS
1. There are no limitations concerning the form or gentre.
2. Individuals, production companies, festivals etc. may present their films
-AWARDS
BEST SHOT – Symbol sculpture of the festival and Diploma (Grand Prix)
For the best shot in “ONE MINUTE ONE SHOT” competition
SPECIAL MENTIONS - diplomas
PRESIDENT’S AWARD – Symbol Sculpture of the festival and Diploma
For the best film in “CINEMA WITHOUT LIMITS” competition
SHORT FILMS JURY
BEST FILM – Symbol Sculpture of the festival and Diploma
For the best film in “SHORT FILMS “ competition
PARTICIPATING DIRECTORS
AUTHORS' CHOICE - Diploma
For the best film in “One Minute One Shot “ competition chosen by the
participating directors through an open vote
PRESS JURRY
PRESS CHOICE - Diploma
For the best shot in “ONE MINUTE ONE SHOT“ competition
“CINEMART “ CINEMA MAGAZINE
SPECIAL PRIZES
PARTNERS
SPECIAL PRIZES
For the best film in “ONE MINUTE ONE SHOT“ and “CINEMA WITHOUT
LIMITS“competitions
DEADLINE: 20/04/09
contact: “ACCEA” - Armenian Center for Contemporary Experimental Art
1/3 Pavstos Buizand Blvd
0010 Yerevan
Armenia
tel: (+37410) 568225, 568325
fax: (+37410) 560216
vartenik (at) yahoo.com,
vahik.akimian (at) gmail.com
http://www.accea.info/
READ 0809:
(PDF) Encouraging Witting Participation and Performance in Digital Live Art | © Jennifer G. Sheridan, Nick Bryan-Kinns, Alice Bayliss, 2007 Published by the British Computer Society People and Computers XXI – HCI… but not as we know it: Proceedings of HCI 2007 Linden J. Ball, M. Angela Sasse, Corina Sas, Thomas C. Ormerod, Alan Dix, Peter Bagnall, and Tom McEwan (Editors) | "We describe a framework for characterizing people’s behavior with Digital Live Art. Our framework considers people’s wittingness, technical skill, and interpretive abilities in relation to the performance frame. Three key categories of behavior with respect to the performance frame are proposed: performing, participating, and spectating. We exemplify the use of our framework by characterizing people’s interaction with a DLA - iPoi. This DLA is based on the ancient Maori art form of poi and employs a wireless, peer-to-peer exertion interface. The design goal of iPoi is to draw people into the performance frame and support transitions from audience to participant and on to performer. We reflect on iPoi in a public performance and outline its key design features."
