CALL FOR PAPERS
3rd INCLUSIVA-NET MEETING: NET.ART. THE EVOLUTION OF ARTISTIC
CREATION IN THE NET-SYSTEM
International Seminar
Deadline for entries: January 12 , 2009
Dates of the event: March 2 - 6, 2009 at the Cultural Center of
Spain in Buenos Aires (Argentina)
Open call for papers to be presented within the context of this
third meeting of the Inclusiva-net platform. This edition aims to
develop an analysis of the current situation of artistic practices
on the web from various theoretical and critical perspectives. It
includes seminars, debate sessions, and lectures of papers chosen
from this public call. Many topics will be addressed including
questions such as: Can we speak of a second epoch in net.art? What
do the new art forms based on on/off-line hybridization contribute?
What critical reflection do new manifestations of digital creations
in networks offer us? What are the new relations between creation
and dissention?
Key words: Artistic creation, Art History, Criticism, Aesthetics,
Anthropology, Communication Theory, Latin America, curatorship,
networked art, Web 2.0, semantic web, amateurism, software art,
Blog-art, metaverses, 3D social networks, online activism, flash
mobs, politicized “swarming”, etc.
More info and paper submission form:
http://medialab-prado.es/article/3er_encuentro_inclusiva-
net_convocatoria_para_presentar_comunicaciones_
Contact: inclusiva2009 [at] medialab-prado.es
Organizer: Medialab-Prado
MEDIALAB-PRADO
Plaza de las Letras
C/ Alameda, 15
28014 Madrid (Spain)
+34 913 692 303
www.medialab-prado.es
READ 0809:
(PDF) Encouraging Witting Participation and Performance in Digital Live Art | © Jennifer G. Sheridan, Nick Bryan-Kinns, Alice Bayliss, 2007 Published by the British Computer Society People and Computers XXI – HCI… but not as we know it: Proceedings of HCI 2007 Linden J. Ball, M. Angela Sasse, Corina Sas, Thomas C. Ormerod, Alan Dix, Peter Bagnall, and Tom McEwan (Editors) | "We describe a framework for characterizing people’s behavior with Digital Live Art. Our framework considers people’s wittingness, technical skill, and interpretive abilities in relation to the performance frame. Three key categories of behavior with respect to the performance frame are proposed: performing, participating, and spectating. We exemplify the use of our framework by characterizing people’s interaction with a DLA - iPoi. This DLA is based on the ancient Maori art form of poi and employs a wireless, peer-to-peer exertion interface. The design goal of iPoi is to draw people into the performance frame and support transitions from audience to participant and on to performer. We reflect on iPoi in a public performance and outline its key design features."